Yogyakarta International Airport in Kulon Progo serves as both a gateway for travellers entering Yogyakarta and showcase of local cultural richness within its premises. This study explores how Javanese and Yogyakarta's cultural traits influence the architectural and decorative aspects of the airport's gates and inner spaces. The research employs qualitative methods, drawing on Relph's Place Identity theory, Stuart Hall's representation theory, Gadamer's hermeneutical theory, and Pierce's semiotic theory for visual studies. Through observations, interviews, and documentation, the study investigates how the integration of local cultural aesthetics preserves identity amidst globalisation's pressures. Findings highlight that the incorporation of Yogyakarta's cultural symbols, such as those from the Jogja palace, fosters a sense of place identity crucial to the airport's location. This integration not only represents the historical and social fabric of Yogyakarta but also aligns with the contemporary Jogja Renaissance movement, ensuring cultural continuity without succumbing to the homogenising forces of modernisation. By maintaining these cultural elements, the airport stands not just as a functional transit hub but as a symbolic link to Yogyakarta's rich cultural heritage. This approach safeguards local wisdom and identity, ensuring they remain vibrant and relevant in a globalised context. The study underscores the importance of such cultural integration in public spaces, advocating for designs that resonate with local communities while welcoming global visitors, thereby enriching the airport experience with cultural depth and meaning.