PERTANIKA JOURNAL OF TROPICAL AGRICULTURAL SCIENCE

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• Akam, J. H., & Yahya, W. R. W. (2018). Overcoming the Shadow and achieving Individuation through a hero’s journey in Tunku Halim’s ‘A Sister’s Tale.’ Pertanika Journal of Social Sciences & Humanities, 26(1), 345-358.

• Asl, M. P. (2018). Practices of counter-conduct as a mode of resistance in Middle East women’s life writings. 3L: Language, Linguistics, Literature®, 24(2), 195-205. https://doi.org/10.17576/3L-2018-2402-15

• Asl, M. P. (2019). Leisure as a space of political practice in Middle East women life writings. GEMA Online® Journal of Language Studies, 19(3), 43-56. https://doi.org/10.17576/gema-2019-1903-03

• Asl, M. P. (2020). The politics of space: Vietnam as a communist heterotopia in Viet Thanh Nguyen’s The Refugees. 3L: Language, Linguistics, Literature®, 26(1), 156-170. https://doi.org/10.17576/3L-2020-2601-11

• Balkun, M. M. (2009). The American grotesque. Literature Compass, 6(4), 824-841. https://doi.org/10.1111/j.1741-4113.2009.00644.x

• Bloom, H. (Ed.). (2009). The grotesque. Infobase Publishing.

• Bryant, C. M. (2017). An effect all together unexpected: The grotesque in Edgar Allan Poe›s fiction [Master’s thesis]. The University of Vermont.

• Burwick, F. L. (1998). Edgar Allan Poe: The sublime, the picturesque, the grotesque, and the arabesque. Amerikastudien/American Studies, 43(3), 423-436.

• Butchart, L. (2019). “What man am I?” The hero’s journey, the beginning of Individuation, and Taran Wanderer. Mythlore, 38(1), 199-218. http://doi.org/10.2307/26809400.

• Byron, G. (2008). Where meaning collapses: Tunku Halim’s Dark Demon Rising as global gothic. In A. H. S. Ng (Ed.), Asian gothic: Essays on literature, film and anime (pp. 32-45). McFarland & Company.

• Byron, G. (2012). Global gothic. In D. Punter (Ed.), A new companion to the gothic (pp. 369-378). Blackwell Publishing Ltd. https://doi.org/10.1002/9781444354959.ch25

• Chiew, E. P. (2019, November 25). Tunku Halim talks horror with Elaine Chiew. Asian Books Blog. http://www.asianbooksblog.com/2019/11/tunku-halim-talks-horror-with-elaine.html

• Childs, P., & Fowler, R. (2006). The Routledge dictionary of literary terms. Routledge.

• Connelly, F. S. (2003). Modern art and the grotesque. Cambridge University Press.

• Conner, S. P. (2019). Horror more horrible from being vague, and terror more terrible from ambiguity. The Edgar Allan Poe Review, 20(1), 77-95. https://doi.org/10.5325/edgallpoerev.20.1.0077

• Cox, D. (1964). Analytical psychology. The English University Press.

• Eng, C. (2015). Tunku Halim, Last Breath. Asiatic: IIUM Journal of English Language and Literature, 9(1), 225-226.

• Fordham, F. (1960). The Shadow in Jungian psychology and race prejudice. Race, 2(2), 62-69. https://doi.org/10.1177/030639686000200207

• Hadi, N. F. A., & Asl, M. P. (2021). The objectifying gaze: A Lacanian reading of Viet Thanh Nguyen’s The Refugees. GEMA Online® Journal of Language Studies, 21(1). https://doi.org/10.17576/gema-2021-2101-01-04

• Halim, T. (2014). Horror stories. Fixi Novo.

• Hayes, K. J. (Ed.). (2002). The Cambridge companion to Edgar Allan Poe. Cambridge University Press. https://doi.org/10.1017/CCOL0521793262

• Jackson, R. (1981) Fantasy: The literature of subversion. Methuen.

• Jacobi, J. (1973). The psychology of C.G. Jung. Yale University Press.

• Jafni, N. F. S. A., & Yahya, W. R. W. (2015). The manifestation of grotesque romance through deviant sexuality in Tunku Halim’s Dark Demon Rising. International Journal of Comparative Literature and Translation Studies, 3(3), 20-26. https://doi.org/10.7575/aiac.ijclts.v.3n.3p.20

• Jafni, N. F. S. A., Yahya, W. R. W., & Kaur, H. (2016). Dissecting nature and grotesque elements in Tunku Halim›s Juriah›s Song. Pertanika Journal of Social Sciences and Humanities, 24(1), 297-310.

• Jung, C. G. (1958). Psychology and religion. (R. F. C. Hull, Trans.). In H. Read, M. Fordham & G. Adler (Eds.), CW 11: Psychology and religion: West and East (pp. 3-106). Routledge. (Original work published 1940)

• Jung, C. G. (1969). Collected works of C.G. Jung, volume 9 (Part 1): Archetypes and the collective unconscious (Adler G. & Hull R., Trans. & Eds.). Princeton University Press. https://doi.org/10.1515/9781400850969 (Original work published 1936)

• Jung, C. G. (1991). The archetypes and the collective unconscious (R. F. C. Hull, Trans.; H. Read, M. Fordham, & G. Adler, Eds.). Routledge. (Original work published 1943)

• Jung, Y. (2010). Poe›s Berenice. The Explicator, 68(4), 227-230.

• Kayser, W. (1963). The grotesque in art and literature (U. Weisstein Trans.). McGraw-Hill. (Original work published 1957)

• Ladkin, D., Spiller, C., & Craze, G. (2016). The journey of individuation: A Jungian alternative to the theory and practice of leading authentically. Leadership, 14(4), 415-434. https://doi.org/10.1177/1742715016681942

• Lawson, L. A. (1966). Poe›s conception of the grotesque. The Mississippi Quarterly, 19(4), 200-205.

• Lee, D. (2007, July 9). My Star interview: You’ve got to start somewhere. The Star. https://tunkuhalim.wordpress.com/2007/05/01/publicity-in-the-media-my-interview/

• Lippit, N. M. (1977). Tanizaki and Poe: The grotesque and the quest for supernal beauty. Comparative Literature, 29(3), 221-240.

• Moores, D. (2006). «Oh, Gigantic Paradox»: Poe›s «William Wilson» and the Jungian self. The Edgar Allan Poe Review, 7(1), 31-48.

• Poe, E. A. (2013). Edgar Allan Poe: Complete tales and poems. Maplewood Books.

• Pridgen, L. P. (2001). The «Jaded Traveller»: John Jasper›s failed psychic quest in Charles Dickens›s The Mystery of Edwin Drood [Master’s thesis]. East Tennessee State University.

• Ravvin, N. (1992). An irruption of the archaic: Poe and the grotesque. Mosaic: A Journal for the Interdisciplinary Study of Literature, 25(4), 1-15.

• Renzi, K. (2013). Hysteric vocalizations of the female body in Edgar Allan Poe’s “Berenice”. ESQ: A Journal of the American Renaissance, 58(4), 601-640. https://doi.org/10.1353/esq.2013.0019

• Rico, P. S. J. (2011). Terror and parody: The mock gothic in Poe›s comic short stories. Ediciones Universidad de Salamanca.

• Roas, D. (2009). Poe and the modern grotesque. 452ºF. Electronic Journal of Theory of Literature and Comparative Literature, 1, 13-27.

• Sumali, N. A., & Asl, M. P. (2019). Creating spaces of fear and anxiety: Analysis of factors affecting male character’s conduct in Vladimir Nabokov’s Lolita. International Journal of Innovation, Creativity and Change, 10(2), 32-43.

• Toh, T. (2020, January 25). Malaysian author Tunku Halim looks back on a colourful writing career. The Star. https://www.thestar.com.my/lifestyle/culture/2020/01/26/author-tunku-halim-looks-back-on-a-colourful-writing-career

• Tricarico, G. (2016). The Individuation process in post-modernity. Psychological Perspectives, 59(4), 461-472. https://doi.org/10.1080/00332925.2016.1240529

• Turnbull, A. (2018). The Psychological grotesque in modern American literature [Master’s thesis]. Rollins College.

• Wagner, T. S. (2006). Singapore’s new thrillers: Boldly going beyond the ethnographic map. ARIEL: A Review of International English Literature, 37(2-3), 69-89.

• Wakeman, P. (2012). Spirit of the psyche: Carl Jung›s and Victor White›s influence on Flannery O›Connor›s fiction [Doctoral dissertations]. Marquette University.

• Ying, S. Y., Keikhosrokiani, P., & Asl, M. P. (2021). Comparison of data analytic techniques for a spatial opinion mining in literary works: A review paper. In F. Saeed, F. Mohammed & A. Al-Nahari (Eds.), Innovative systems for intelligent health informatics (pp. 523-535). Springer International Publishing. https://doi.org/10.1007/978-3-030-70713-2_49

• Young-Eisendrath, P., & Dawson, T. (2008). The Cambridge companion to Jung. Cambridge University Press.